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National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

A celebration of First Nations culture

Nangamai (Dream)

Experience Nangamai ('Dream' in the Dharawal language), the NFSA's online collection of First Nations content.

The Nangamai Collection pays tribute to the Aboriginal and Torres Strait Islander trailblazers, icons, dreamers and performers who have kept their rich culture and history alive through activism, writing, filmmaking, song, dance and art.

Please be advised that this page contains names, images and voices of deceased Aboriginal and Torres Strait Islander people.

Strength, vision and legacy

Quaden Bayles

Miranda Tapsell

Hunter Page-Lochard

Jub Clerc

Nakkiah Lui: Kiki and Kitty

The storytellers

Katele (Mudskipper)

Shiny One

Kindred

The trailblazers

First Nations portraits

In these portraits, prominent First Nations Australians talk about their lives. 

Interview subjects include filmmakers Wayne Blair and Rachel Perkins (seen here talking about her 1988 debut feature Radiance), alongside profiles of sporting stars like Mark Ella, Nova Peris and Anthony Mundine, and artists Albert Namatjira, Mervyn Bishop and Tracey Moffatt.

You can see the full interview with Rachel Perkins also watch Australian Biography interviews with Charles Perkins, Faith Bandler, Lowitja O'Donoghue and more.

The 1965 Freedom Ride

Eddie Mabo

Deborah Cheetham

The icons

David Gulpilil AM

Archie and Ruby

Sporting legends

The dreamers

In a relatively short space of time, Australian cinema has evolved from depicting Aboriginal and Torres Strait Islander peoples through racist clichés to First Nations creatives documenting their cultures, promoting social change and making entertainment, entering the mainstream. This shift is exemplified by critical and box-office hits from directors like Rachel Perkins, Warwick Thornton and Wayne Blair, which deal with complex issues and feature First Nations actors and characters.

This reshaping of a cultural landscape and determined shift for Australian cinema’s national identity came about through a gradual reframing of First Nations rights within the Australian legal system, combined with government support for the development of Aboriginal and Torres Strait Islander filmmakers.

A short history of First Nations filmmaking

In this article we explore the compelling arc of First Nations storytelling on film in this country, from early representations through a white lens to collaborations between non-Indigenous and Indigenous filmmakers, and a breakthrough generation of First Nations filmmakers telling their own stories.

Warwick Thornton on The Darkside

Deep Dive with Tiriki Onus

Deborah Mailman collection

Deadly sounds

First Nations Sounds of Australia

Royal Telephone by Jimmy Little

Black and deadly women

Wilma Reading

'Treaty' by Yothu Yindi

From Little Things Big Things Grow

I hope the collection will inspire audiences to dream big, to remember that images, music and words can change lives. The NFSA are proud custodians of many items that combine to create a living memory of who we are, who we have been and who we want to be in our futures.
Gillian Moody, Senior Manager, First Nations Engagement at the NFSA

Dance on screen

Spear

In conversation with Ella Havelka

Ceremony, art and culture

Djungguwan Ceremony

First Nations artists and art

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