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National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

Difficult Pleasure: A Portrait of Brett Whiteley - The beginning of yourself

1989

Difficult Pleasure: A Portrait of Brett Whiteley - The beginning of yourself

1989

  • NFSA IDYPDB8BRX
  • TypeFilm
  • MediumMoving Image
  • FormSeries
  • Duration50 mins
  • Year1989

Australian artist Brett Whiteley is asked how to paint. He advises young artists to buy the materials and just do it. Summary by Damien Parer.

Australian artist Brett Whiteley is asked how to paint. He advises young artists to buy the materials and just do it. Summary by Damien Parer.

  • Production company
    Featherstone Productions
    Producer
    Don Featherstone
    Director
    Don Featherstone
    Research and script
    Joanna Penglase
    Original music
    Graham Tardif
  • An engaging documentary that keeps you wondering what Brett Whiteley is going to say next. He is frankly revealing one moment, satirises himself the next, and gets angry when asked to explain the Van Gogh series on camera.

    Producer-director Don Featherstone has made films about many artists. His credits include Australia Revealed, The One Percenters and The Beach. The original music by Graham Tardif is particularly effective.

    Difficult Pleasure synopsis

    A biographical documentary that follows Australian artist Brett Whiteley as he travels from his studio in Sydney to London. Whiteley started painting in the 1960s in London and Paris before returning to Sydney. He has painted landscapes, portraits, tributes to other painters like Francis Bacon and Vincent van Gogh and later in life created sculptures. He responds frankly to filmmaker Don Featherstone’s prompting, offering observations on how to get started as a painter, and reflecting on his drug addiction, his self-doubt, and the political content of his paintings.

    Notes by Damien Parer

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