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National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

Whispering in Our Hearts: Rib Bones (2001)

2001

Whispering in Our Hearts: Rib Bones (2001)

2001

  • NFSA IDQ54RWGTG
  • TypeTelevision
  • MediumMoving Image
  • FormDocumentary
  • GenresIndigenous themes or stories, Indigenous as subject
  • Year2001
  • WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons

The chains fall to the ground after the massacre of six men. The remains of the men are burned, and then the bones are stomped by the shooters in an attempt to conceal any physical evidence. The clip ends with the song communicated through the spirit of one of those murdered, serving as a spiritual testimony, being sung by a living community member.

Notes by
AJ Lamarque
  • WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons

The chains fall to the ground after the massacre of six men. The remains of the men are burned, and then the bones are stomped by the shooters in an attempt to conceal any physical evidence. The clip ends with the song communicated through the spirit of one of those murdered, serving as a spiritual testimony, being sung by a living community member.

Notes by
AJ Lamarque
  • Production Company
    Mayfan
    Director
    Mitch Torres
    Producer
    Graeme Isaac
    Writer
    Mitch Torres
  • The visceral component of the massacre of Aboriginal peoples, the premeditation in both the shooting and the disposing of the bodies, reveals the physicality required to carry out such an objective. It reframes the somewhat arbitrary term of 'massacre’ as one fluid with bodily intention. The stomping of the bones into the ash of the fire fills the term 'massacre’ with not only callousness, but also realness, a body driven by the intention to remove another body. This clip challenges the way we are taught about massacres in history. Massacres are often, in history, carried out by bad men against victims, both of whom have no relativity to who we are as people. The power of this clip is that both the killers and the killed are human, and in this, an empathetic understanding of 'massacre’ is made available to us.

    Notes by Romaine Moreton.

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