We acknowledge Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and give respect to their Elders, past and present.

Read our Statement of Reflection

Your Cart

Your cart is empty right now...

Discover what's on
Your Stuff
Lists
No lists found
Create list
List name
0 Saved items
Updated: a few seconds ago
Getting Started
Get started with Your Stuff

A free Your Stuff account allows you to save, list and share your favourite collection items and articles. This account will give you access to Your Stuff, NFSA Player and Pro. You will need to create an additional account for Canberra event tickets.

Confirm
Skip to main content
National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

Public Broadcasting: Liz Jacka

2005

Public Broadcasting: Liz Jacka

2005

    In this clip, Liz Jacka explains that public broadcasting in Australia in the 1920s and 30s followed the British model and was designed to inform, educate and entertain – in that order.

    In the 1920s, Australian society and culture were influenced by Britain, which was still thought of by many as 'the Mother Country'. When the Government took control of 'A'-class radio stations, their resulting formation was influenced by the British model developed under the first Director-General of the BBC, John Reith.

    The legislaton which allowed the government to take over the 'A'-class licenses was passed in March 1932. The Reithian model sees broadcasting as a 'public service' which should act as a 'cultural, moral and educative force for the improvement of knowledge, taste and manners' (Scannell, Paddy and Cardiff, David, A Social History of British Broadcasting, 1991).

    'Broadcasting ... carries direct information on a hundred subjects to innumerable people who thereby will be enabled not only to take more interest in events which formerly were outside their ken, but who will after a short time be in a position to make up their own minds on many matters of vital moment, matters which formerly they had either to receive according to the dictated and partial versions or opinions of others, or to ignore altogether. A new and mighty weight of public opinion is being formed...' (John Rieth, Director-General of the British Broadcasting Corporation, 1924, as quoted in Scannell and Cardiff).

    Liz Jacka researches in the areas of broadcasting history and policy and is Emeritus Professor at University of Technology Sydney.

    In this clip, Liz Jacka explains that public broadcasting in Australia in the 1920s and 30s followed the British model and was designed to inform, educate and entertain – in that order.

    In the 1920s, Australian society and culture were influenced by Britain, which was still thought of by many as 'the Mother Country'. When the Government took control of 'A'-class radio stations, their resulting formation was influenced by the British model developed under the first Director-General of the BBC, John Reith.

    The legislaton which allowed the government to take over the 'A'-class licenses was passed in March 1932. The Reithian model sees broadcasting as a 'public service' which should act as a 'cultural, moral and educative force for the improvement of knowledge, taste and manners' (Scannell, Paddy and Cardiff, David, A Social History of British Broadcasting, 1991).

    'Broadcasting ... carries direct information on a hundred subjects to innumerable people who thereby will be enabled not only to take more interest in events which formerly were outside their ken, but who will after a short time be in a position to make up their own minds on many matters of vital moment, matters which formerly they had either to receive according to the dictated and partial versions or opinions of others, or to ignore altogether. A new and mighty weight of public opinion is being formed...' (John Rieth, Director-General of the British Broadcasting Corporation, 1924, as quoted in Scannell and Cardiff).

    Liz Jacka researches in the areas of broadcasting history and policy and is Emeritus Professor at University of Technology Sydney.

      Industry professional? Go Pro

      Need to license this item? A/V professionals and researchers can shortlist licensing enquiries via our NFSA Pro catalogue search and membership.

      Get started with PRO

      Collections to explore

      • Start your own collection

        A free Your Stuff account allows you to save, organise and share your favourite videos, audio and stories.

      Personalized your experience

      Save, create and share

      With NFSA Your Stuff