We acknowledge Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and give respect to their Elders, past and present.

Read our Statement of Reflection

Your Cart

Your cart is empty right now...

Discover what's on
Your Stuff
Lists
No lists found
Create list
List name
0 Saved items
Updated: a few seconds ago
Getting Started
Get started with Your Stuff

A free Your Stuff account allows you to save, list and share your favourite collection items and articles. This account will give you access to Your Stuff, NFSA Player and Pro. You will need to create an additional account for Canberra event tickets.

Confirm
Skip to main content
National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

NFSA Restores: Muriel's Wedding – 'You've made it'

1994

NFSA Restores: Muriel's Wedding – 'You've made it'

1994

  • NFSA ID3KK07144
  • TypeFilm
  • MediumMoving Image
  • FormFeature Film
  • GenresComedy, Drama
  • Year1994

'Do you ever think you're nothing? Sometimes I think I'm nothing. Useless.' So says Muriel Heslop, the flawed protagonist of the PJ Hogan Australian classic Muriel's Wedding, played to perfection by Toni Collette.

This clip is from the NFSA Restores digital restoration of Muriel's Wedding.

Summary by Amal Awad

CURATOR'S NOTES

In the multitude of stories that explore the path to self-fulfilment and acceptance, Muriel's Wedding (PJ Hogan, 1994) stands out. It's famously powered by the timeless sounds of ABBA, of which composer Benny Andersson has said 'even the happier songs are melancholy at their core' (as told to biographer Jan Gradvall).

But it's the simplicity, honesty and quiet realisation of moments like Muriel's confession in this clip that 'sometimes I think I'm nothing' that explain the film's enduring success. This is a film that shows how it's not the unknown or the hidden that takes us by surprise in our darkest times: it's what we have known about ourselves all along but try to ignore. In Muriel's case, what she shows to the world does not reflect what she truly believes about herself.

Notes by Amal Awad

Courtesy of

'Do you ever think you're nothing? Sometimes I think I'm nothing. Useless.' So says Muriel Heslop, the flawed protagonist of the PJ Hogan Australian classic Muriel's Wedding, played to perfection by Toni Collette.

This clip is from the NFSA Restores digital restoration of Muriel's Wedding.

Summary by Amal Awad

CURATOR'S NOTES

In the multitude of stories that explore the path to self-fulfilment and acceptance, Muriel's Wedding (PJ Hogan, 1994) stands out. It's famously powered by the timeless sounds of ABBA, of which composer Benny Andersson has said 'even the happier songs are melancholy at their core' (as told to biographer Jan Gradvall).

But it's the simplicity, honesty and quiet realisation of moments like Muriel's confession in this clip that 'sometimes I think I'm nothing' that explain the film's enduring success. This is a film that shows how it's not the unknown or the hidden that takes us by surprise in our darkest times: it's what we have known about ourselves all along but try to ignore. In Muriel's case, what she shows to the world does not reflect what she truly believes about herself.

Notes by Amal Awad

Courtesy of
  • In the multitude of stories that explore the path to self-fulfilment and acceptance, Muriel's Wedding (PJ Hogan, 1994) stands out. It’s famously powered by the timeless sounds of ABBA, of which composer Benny Andersson has said 'even the happier songs are melancholy at their core' (as told to biographer Jan Gradvall).

    But it’s the simplicity, honesty and quiet realisation of moments like Muriel’s confession in this clip that 'sometimes I think I’m nothing' that explain the film’s enduring success. This is a film that shows how it’s not the unknown or the hidden that takes us by surprise in our darkest times: it’s what we have known about ourselves all along but try to ignore. In Muriel’s case, what she shows to the world does not reflect what she truly believes about herself.

    Notes by Amal Awad

Industry professional? Go Pro

Need to license this item? A/V professionals and researchers can shortlist licensing enquiries via our NFSA Pro catalogue search and membership.

Get started with PRO

Collections to explore

More in Stories+

Personalized your experience

Save, create and share

With NFSA Your Stuff