We acknowledge Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and give respect to their Elders, past and present.

Read our Statement of Reflection
Skip to main content
National Film and Sound Archive
National Film and Sound Archive
National Film and Sound Archive

G’Day World: Australia's first podcast

2004

Invalid url

G’Day World: Australia's first podcast

2004

  • NFSA ID1788104
  • Year2004

Podcasts have become a widespread and dominant form of audio entertainment, but they looked pretty different in the early 2000s, when recording both ends of a Skype call could cause some grief.

This clip from episode 1 of G’Day World (2004) is likely Australia's first entry into the emerging podcast medium. Capturing the early experimental days, fumbling technical difficulties over 'dual-person podcasts' and tentative discussions of software reveal the reality of this then-little-known field. Despite some hurdles, the format and style heard here show striking parallels to podcasts two decades later: casual and digressive chatter, topical discussion, and a focus on connecting hosts and listeners in an intimate audio space.

This is an early artefact of Australia’s engagement with digital media and the podcasting revolution, reflecting both the technological limitations and the creative ambition of early adopters. It also provides historical insight into how podcasting evolved from a niche hobby into a globally influential medium.

Podcasts have become a widespread and dominant form of audio entertainment, but they looked pretty different in the early 2000s, when recording both ends of a Skype call could cause some grief.

This clip from episode 1 of G’Day World (2004) is likely Australia's first entry into the emerging podcast medium. Capturing the early experimental days, fumbling technical difficulties over 'dual-person podcasts' and tentative discussions of software reveal the reality of this then-little-known field. Despite some hurdles, the format and style heard here show striking parallels to podcasts two decades later: casual and digressive chatter, topical discussion, and a focus on connecting hosts and listeners in an intimate audio space.

This is an early artefact of Australia’s engagement with digital media and the podcasting revolution, reflecting both the technological limitations and the creative ambition of early adopters. It also provides historical insight into how podcasting evolved from a niche hobby into a globally influential medium.

  • Hosts
    Cameron Reilly and Mick Stanic
    Band
    Spruiker
Industry professional? Go Pro

Need to license this item? A/V professionals and researchers can shortlist licensing enquiries via our NFSA Pro catalogue search and membership.

Get started with PRO

Collections to explore

More in Stories+

Personalized your experience

Save, create and share

With NFSA Your Stuff